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HOME : Asian Art : Gandharan Artefacts : Gandharan Stucco Head
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Gandharan Stucco Head - AM.0227
Origin: Central Asia
Circa: 100 AD to 400 AD
Dimensions: 6.5" (16.5cm) high
Collection: Asian Art
Style: Gandharan
Medium: stucco

£7,500.00
Location: Great Britain
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Description
Mid-tan stucco head in the form of an older male with traces of original slip remaining. Gaunt, narrow face framed by beard and full head of thick curls; furrowed brow, high cheekbones and beak nose present a distinct and expressive Gandhara was an ancient state, a mahajanapada, in the Peshawar basin in the northwest portion of the ancient Indian subcontinent, present-day Afghanistan and Pakistan. The center of the region was at the confluence of the Kabul and Swat rivers, bounded by the Sulaiman Mountains on the west and the Indus River on the east. The Safed Koh mountains separated it from the Kohat region to the south. This being the core area of Gandhara, the cultural influence of "Greater Gandhara" extended across the Indus river to the Taxila region and westwards into the Kabul and Bamiyan valleys in Afghanistan, and northwards up to the Karakoram range.[1][2][3] Gandhara was one of sixteen mahajanapadas (large conglomerations of urban and rural areas) of ancient India mentioned in Buddhist sources such as Anguttara Nikaya.[4][5] During the Achaemenid period and Hellenistic period, its capital city was Pushkalavati (Greek: ?e??e?a?t??), modern Charsadda.[note 1] Later the capital city was moved to Peshawar[note 2] by the Kushan emperor Kanishka the Great in about AD 127. Gandhara existed since the time of the Rigveda (c. 1500–1200 BC),[6][7] as well as the Zoroastrian Avesta, which mentions it as Vaek?r?ta, the sixth most beautiful place on earth, created by Ahura Mazda. Gandhara was conquered by the Achaemenid Empire in the 6th century BC. Conquered by Alexander the Great in 327 BC, it subsequently became part of the Maurya Empire and then the Indo-Greek Kingdom. The region was a major center for Greco-Buddhism under the Indo-Greeks and Gandharan Buddhism under later dynasties. It was also a central location for the spread of Buddhism to Central Asia and East Asia.[8] It was also a center of Bactrian Zoroastrianism and Hinduism.[9] Famed for its local tradition of Gandhara (Greco-Buddhist) Art, Gandhara attained its height from the 1st century to the 5th century under the Kushan Empire. Gandhara "flourished at the crossroads of Asia," connecting trade routes and absorbing cultural influences from diverse civilizations; Buddhism thrived until 8th or 9th centuries, when Islam first began to gain sway in the region.[10] Pockets of Buddhism persisted in Pakistan's Swat valley until the 11th century.[11] The Persian term Shahi is used by historian Al- Biruni[12] to refer to the ruling dynasty[13] that took over from the Kabul Shahi[14] and ruled the region during the period prior to Muslim conquests of the 10th and 11th centuries. After it was conquered by Mahmud of Ghazni in 1001 AD, the name Gandhara disappeared. During the Muslim period, the area was administered from Lahore or from Kabul. During Mughal times, it was an independent district which included the Kabul province. physiognomy that recalls Graeco-Roman prototypes rather than traditional Gandharan styles. Gandhara is an ancient kingdom that today denotes northern Pakistan and northeast Afghanistan. Situated at a confluence of trading routes along the Silk Road, Gandhara was a melting pot of different cultures and we see a vast array of influences in art - Hindu, Greco-Buddhist, Jewish and Parsi. After the conquests of Alexander the Great during 4th Century BC, we see a spread of Greek influence throughout the subcontinent. By 2nd Century AD, Gandhara had become the holy land of Buddhism. By 3rd Century AD, the empire came under Sassanid rule. Each successive culture left their imprint in art. Asceticism is advocated in many religious traditions such as Islam, Hinduism and Buddhism however fasting and mortification are strictly forbidden in Zoroastrianism, the official religion of the Sassanid Empire. Overriding the conflicting strictures of the dominant religions, this piece presents an interesting juxtaposition between a Buddhist tenet and Greco-Roman aesthetic. Condition: Excellent; repaired from two parts. - (AM.0227)

 

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