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HOME : Islamic Art : Islamic Art. L : Nishapur glazed earthenware figurine of a horse
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Nishapur glazed earthenware figurine of a horse - MS.1695
Origin: Near East
Circa: 1100 AD to 1200 AD
Dimensions: 8" (20.3cm) high x 6" (15.2cm) wide
Collection: Islamic Art

£6,000.00
Location: Great Britain
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Description
Nishapur is a city in northeastern Iran that was founded around the 3rd century A.D., grew to prominence in the 8th century, and was completely ruined by invasions and earthquakes in the 13th century. After that time, a much smaller settlement was established just north of the ancient town, and the once bustling metropolis lay underground— until a team of excavators from the New York Metropolitan Museum arrived in the mid-20th century. They worked at Nishapur between 1935 and 1940, returning for a final season in the winter of 1947–48. The excavators had been drawn to the city because of its fame in the medieval period, when it flourished as a regional capital and was home to many religious scholars. It was also known as an economic center—Nishapur was located on the trade route known as the Silk Road, which ran from China to the Mediterranean Sea, crossing Central Asia, Iran, Iraq, Syria, and Turkey along the way. In addition, Nishapur was a source of turquoise and a center for growing cotton, producing cotton textiles as well as several types of fabric incorporating silk. One of the most unusual products of Nishapur, however, was its edible earth, which was believed to have curative properties. At its peak between the 9th and 13th centuries, Nishapur had a population of approximately 100,000 to 200,000 people, and development covering an area of approximately 6 and a half square miles. The Museum’s team of researchers, Joseph Upton, Walter Hauser, and Charles Wilkinson, worked at Nishapur under a cooperative agreement with the Iranian government that permitted them to excavate so long as half of the material found was shared with the Iran Bastan Museum in Tehran. Their trenches were located throughout the medieval city, sited where significant finds had already been made by locals or where they could obtain permission to dig (as much of the site was under cultivation). They gave each site a name based on its local nickname or a distinguishing topographical feature. Two areas provided particularly rich finds. The first site to be excavated, called Sabz Pushan (“green mound” in Persian), had been a thriving residential neighborhood occupied between the 9th and 12th centuries, with houses of three to four rooms connected by small alleys. Of the large area this neighborhood once occupied, approximately fifteen houses were eventually excavated. One of these houses had particularly well-preserved decoration, with carved stucco panels covering the lower part of the wall, the dado, in several rooms. The panels were originally painted in bright yellows, reds, and blues, with equally colorful murals on the plaster walls above, but once the panels were exposed to the air, the colors that the excavators first saw quickly disappeared. At a part of the site the locals called Tepe Madrasa, the excavators had expected to find one of Nishapur’s famed institutions of learning, or madrasa. Instead, they uncovered a large residential area with a mosque that had been developed and rebuilt in several phases between the 9th and 12th centuries. Inside one of the residences, perhaps the palace of the city’s ninth- century governors, they found a room with an extraordinary set of wall paintings whose iconography appears unique to the site. Hundreds of objects were discovered during the course of the excavations. Each year, a share was shipped back to New York, for the Metropolitan Museum, where the objects were restored and placed on display. These objects were significant in providing information on several different artistic traditions. In terms of ceramics, they brought to light several types whose decoration was unique to this part of Iran. These were typically decorated with strong-colored slips, made of diluted clay, in bold patterns. The distinctive ceramics produced in Nishapur were traded around the region, and have been found at Herat, Merv, and Samarqand. The evidence from the excavations also revealed much about the development of architectural decoration in northeastern Iran. Walls in residences and public buildings throughout Nishapur were decorated in many different ways, from frescoes to carved and painted stucco, terracotta panels to glazed ceramic tiles. The range of imagery was also wide, including geometric and vegetal patterns, calligraphy, figures, and animals. The refined tradition of wall painting shows links with the earlier history of the region, such as Buddhist paintings in Central Asia and Sasanian paintings in Iran, as well as with contemporary painting of Iraq. Carved stucco decoration, perennially important in Iranian architecture, was represented in examples found throughout the site. The exteriors of large public buildings were clad in baked bricks set in decorative patterns, large terracotta panels carved with multilayered ornament, or glazed tiles, often in shades of bright blue. In addition, Nishapur was an important center for the manufacture of glass, metal, and stone vessels as well as textiles. None of the latter were found in the excavations, no doubt due to their highly perishable nature. However, beautifully decorated spindle whorls were excavated by the hundreds. Smaller items such as toys, game pieces, musical instruments, and beads throw light on everyday activities in Nishapur and give us a better understanding of daily life for its citizens. - (MS.1695)

 

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