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Biblical Antiquities :
Phoenician Artefacts : Phoenician Votive Figure
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Phoenician Votive Figure - RP.089
Origin: Lebanon
Circa: 600
BC
to 500
BC
Dimensions:
11.5" (29.2cm) high
x 4.25" (10.8cm) wide
Collection: Biblical
Medium: Terracotta
£6,000.00
Location: UAE
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Description |
The Phoenicians were one of the most important
civilisations of the ancient world, and flourished
from around 1500 to 300 BC. Their world was
centred on Northern Israel, Lebanon and Syria,
while their sphere of conquest and influence
extended throughout the Mediterranean and even
beyond the Pillars of Hercules (the Straits of
Gibraltar) and into the Mediterranean-Atlantic.
Their power was due primarily to their mastery of
seamanship – which they developed to a whole
new level during their pre-eminence – and
extremely well-organised administration which
was strengthened by extensive use of the
alphabet. Indeed, it was the Phoenicians who
introduced the alphabet to the Greeks, who in
turn passed it onto the rest of the Western
World. They were essentially Canaanites, to
whom they were identical in sociocultural and
material terms, the only difference being the
massive range over which their cultural remains
and heritage can be found. Phoenician society
was comparatively stable when compared to the
changeable fortunes of other Eastern
Mediterranean cultures, primarily due to its broad
royal, political and religious foundations. The
town of Byblos became a major hub for trade all
over the Fertile Crescent, followed by Tyre and
Sidon; overseas territories notably included
Carthage (founded 814 BC), but they either took
over or culturally dominated trading ports from
Cyprus to Malta, Spain, Portugal and Sardinia.
They traded in purple dye (“Tyrian Purple”),
textiles, luxury ceramics, silver, tin (with
England) and glass, explored down the west
coast of Africa as far as the Gulf of Guinea, and
may even have circumnavigated Africa in around
600 BC.
Their artistic output is usually on a small scale –
enabling it to be easily transported and traded –
and made of high-value materials such as glass
and precious metal. Phoenician styles are largely
derivative, being informed by sources as varied
as Cyprus, Egypt, Assyria and Greece, and has
been described as an amalgam of pre-classic
models and perspectives, often with regionalised
local stylistic variants. The use of ceramic figures
seems to have been religious in origin, with
shrine figures (or baetyls) depicting a wide range
of the deities and legendary figures from
Mediterranean mythology. Clay tableaux show
these figures being displayed in niches,
worshipped at a familial or group level, and they
were also sometimes interred with the dead.
Depictions range from the classical-naturalistic
to the schematic or even grotesque. Specific
members of the pantheon include Baal (or Baal-
Hammon, to whom children were sacrificed),
Eshmun (god of healing and the arts), Melqart
(the Phoenician equivalent of Poseidon/Neptune)
Bes (an Egyptian household god resembling an
ugly dwarf), Tanit (the patron goddess of
Carthage) and Astarte (an indigenous Phoenician
goddess). Various other deities cannot be
specifically identified. It is notable that the
gender bias is very strong towards goddesses.
The significance of individual gods or figures
cannot be ascertained in most cases. As with
most societies, any figure with greatly
exaggerated sexual characteristics is usually
associated with fertility, although most figures
are likely to represent personages whose
significance has been lost to us.
This sculpture was recovered from the floor of
the Mediterranean; the manner in which it and
associated pieces were found suggests that it
might have been part of a naval shrine aboard
the doomed vessel, although it is also possible
that it was being taken to a Phoenician outpost
in order to form part of a shrine for a prosperous
household or religious centre. In either case, this
is an exceptionally attractive and historically
fascinating piece that would take pride of place
in any collection of the genre.
Moscati, S. (ed.). 1988. The Phoenicians. John
Murray Publishers, London
- (RP.089)
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