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HOME : Near Eastern Art : Parthian Art : Parthian faience statuette of the God Mithra/ Mitra
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Parthian faience statuette of the God Mithra/ Mitra - LK.355
Origin: Central Asia
Circa: 100 AD to 300 AD
Dimensions: 12" (30.5cm) high
Collection: Near Eastern Art
Medium: Faience


Location: Great Britain
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Description
When the Aryan tribes swept down from the Russian steppes they brought their gods with them. Some time between 2000 and 1500 B.C.E., these tribes entered India and Iran, bringing with them one particular deity. These people, the Mitanni, gave us the first written reference to Mitra in a treaty between themselves and the Hittites. Signed about 1375 B.C.E., the treaty calls on divine witnesses to pledge its terms. The Hittites called on the sun go. The Mitanni called on Mitra. Mitra had been worshipped by the Iranians for centuries when Zarathustra (we call him Zoroaster, the Greek version of his name) founded the first revealed religion. Zarathustra announced the primacy of Ahura Mazda, the Wise Lord, who was served by the Amentas Spenta, or bounteous immortals. Among these was Mithra, whom Ahura Mazda declared to be "as worthy of worship as myself." Thus Zarathustrian reform did not replace Mithra in the Iranian Pantheon. It merely changed his role. Mithra may also have been worshipped by the Mani. Some branches of Manicheism identified Mithra as the ruler of the second or third emanation (an occultist would say "ray," "aeon," or "sepheroth"). But whether there were actual rites of worship dedicated to him or whether he simply functioned as an anthropomorphic principle is impossible to say. In the Roman Empire, this same deity was called Mithras, and was the central figure of a mystery religion that for almost five hundred years vied with Christianity for dominance. Roman Mithrasism differed so markedly, however, from other traditions that some scholars have claimed Mithras to be a unique deity, distinct from Mitra or Mithra. Although this book deals primarily with Mithrasism in its Roman form, it will demonstrate that there is good reason to connect the Roman Mithras with his other forms in other traditions. In the beginning was a word The names Mitra, Mithra and Mithras all derive from the Indo-European root "Mihr," which translates both as "friend" and as "contract." While both translations are correct, however, neither gives a full account of the word. "Mihr" itself derives from "mei," an Indo- European root meaning "exchange." But Aryan society did not use the word "exchange" to describe a transaction. Ancient societies were hierarchical. Neither the concept of an exchange between equals after which a relationship ended (our meaning of contract), nor the concept of an open-ended exchange between equals (our meaning of friendship) were contained in the original meaning of the word "Mihr" or "Mei." (For our concept of friendship, the Rg Veda uses the word "sakhi.") The friendship or contract offered by Mihr, or Mitra as he became known, was an exchange between unequal partners with Mitra as a just lord. Like any feudal relationship, this "friendship" imposed certain obligations on both sides. Mitra oversaw the affairs of his worshippers. He established justice for them. In return, his worshippers had to be upright in their dealings with others. Mitra was thus "lord of the contract" (a title frequently applied to him)... The Iranian Mithra and Zarathustra As the Aryan tribes swept south, they split into two major branches, the Indian in the east and the Iranis in the west. Both Worshipped the god of the contract in similar ways. Like the Indians, the Iranis sacrificed cattle to Mithra. They invoked him to preserve the sanctity of the contract. They associated him with fire. And like both Indian and Roman worshippers, the Iranis concluded contracts before fires so that they might be made in the presence of Mithra. Like Mitra, Mithra saw all things. The Avestan Yast (hymn) dedicated to him describes him as having a thousand ears, ten thousand eyes, and as never sleeping. And like Mitra, Mithra has a partner, Apam Nepat, whose name means Grandson of Waters. (Note that the same elemental connection of fire and water is maintained as in the Indian tradition.) Mithra was a moral god, upholding the sanctity of the contract even when the contract was made with one who was sure to break it. His primary responsibility was to the rightness of the action. In this he stood above the various national gods of the time, who had little function other than to look after the welfare of the state and its wealthiest members. In fact, Mithra was the first such moral deity and stands above the notions of many worshippers of many gods today... The Iranis had a deep reverence for Mithra, as is proved by their reception of the prophet, Zarathustra. Zarathustra is the most important person in the recorded history of religion, bar none. The first man to promulgate a divinely revealed religion. He influenced the religions of Judaism, Christianity, Mithrasism, Islam, Northern (Mahayana) Buddhism, Manicheism, and the pagan Norse myths. Over half the world has accepted a significant portion of his precepts under the guise of one or another of these faiths. At the age of about forty, Zarathustra, a priest in the traditional Irani rites, received a revelation. In it, the many gods of the Iranis were supplanted by a new deity who was the supreme deity of the Good. This deity became known as Ahura Mazda, or the "Wise Lord." Opposed to Ahura Mazda was Aingra Mainyu or Ahriman, the "Angry Spirit," the chief deity of evil. Both deities had underlings and partners. The chief allies of Ahura Mazda were the "Amentas Spenta." Created by the "Wise Lord," these "Bounteous" or "Holy Immortals" included Mithra. There was a hymn to Mithra in the Zarathustrian holy work, the Avesta. It is a beautiful hymn or Yast, and Ilya Gershevitch is right to lament that it is not more widely known. In it, Ahura Mazda addresses the prophet Zarathustra, saying that when he created Mithra, he made him as worthy of worship as himself. This accolade is given to no other Amenta Spenta or Yazata. Historians have argued that this distinction indicates only that the cult of Mithra was so important that Zarathustra had to give its god special concessions to convert its members. Some have even argued the popularity from the concessions. But there is another theological reason for the special attention given to Mithra by Zarathustra... Mithra is a much more fully developed image than the rather ethereal Mitra. Unlike the Indian god, we actually have a relief of the Iranian deity. Reconstruction shows Mithra shaking hands with King Antiochus. It is Mithra's attire, however, that is important to the current study. Mithra wears the Phrygian cap, Persian trousers, and a cape. His hat is star speckled (from textual evidence his chariot is similarly decorated). Rays of light emerge from Mithra's head much like a halo. His choke collar is a serpent. This image, or one very like it, will appear again in Rome. Parthia is a historical region which roughly corresponds to the north-eastern region of what is nowadays the Islamic Republic of Iran. It was bordered by the Karakum desert in the north, including the mountainous part of Kopet Dag and the Dasht-e-Kavir desert in the south, neighbouring Media on the west, Hyrcania on the north west, Margiana on the north east and Aria on the south east. The territory of Parthia was conquered and subjugated by the empire of the Medes during the 7th century BC, was eventually incorporated into the subsequent Achaemenid Empire under Cyrus the Great in the 6th century BC, and formed part of the Hellenistic Seleucid Empire following the 4th-century-BC conquests of Alexander the Great. The area later served as the political and cultural base of the Eastern-Iranian Parni people and Arsacid dynasty, rulers of the Parthian Empire (247 BC – 224 AD). The Sasanian Empire succeeded the Parthian Empire as the last state of pre-Islamic Persia, also held the region and maintained the Seven Parthian clans as part of their feudal aristocracy The name "Parthia" is a continuation through Latin deriving from the local word Parthava, translated as "of the Parthians" and designating the native inhabitants of the area. In contrast to their hostile relationship with Rome, the Parthians seem to have courted the favor of the Chinese explorer Zhang Qian who visited Parthia and described it as an advanced urban civilization. As a result, trade soon flourished with China. A detailed account of Parthian civilization has yet to be written, modern historians are thus forced to rely on foreign histories and numismatic evidence. It is nevertheless clear from Parthian coins that their Kings were consciously modeling themselves on their Achaemenid predecessors and attached great significance to the visual arts.

Glazed turquoise green ceramics are one of the most distinctive Parthian art forms. Glazed ceramics were extremely rare in the Middle East prior to the Islamic period. Only in China were glazed wares common at such an early date. Trade and diplomatic ties most likely encouraged such a development in the Parthian region. Their color was created from copper and iron oxides mixed with an alkaline glaze which was applied on top of a fine white paste so that the reddish surface of the clay would not show through. The shapes of the vessels reveal a reliance on Greek and Mesopotamian forms while the green glaze has often been likened to the patina that bronze acquires over time. - (LK.355)

 

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