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African & Tribal Art :
Igbo, Urhobo : Urhobo Edjo or Ancestor Figure with Articulated Arms
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Urhobo Edjo or Ancestor Figure with Articulated Arms - PF.0403 (LSO)
Origin: Niger River Delta
Circa: 1920
AD
to 1960
AD
Dimensions:
22" (55.9cm) high
x 7.5" (19.1cm) wide
x 5.5" (14.0cm) depth
Collection: African
Medium: Wood, paint
$6,000.00
Location: United States
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Photo Gallery |
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Description |
This striking polychrome sculpture is a
representation of a forest sprite or an ancestor,
made by the Urhobo It is an unusual piece in
terms of structure and style. It is traditional in
possessing light “skin” with dark detailing and
relief items of clothing (including a variation on
a top hat) but is unusual in that it is kneeling
rather than standing/sitting, and also for the fact
that the arms are jointed at the shoulders. The
figure is patinated from handling, and has thus
lost some of the white pigment with which it was
originally decorated. It has a loincloth, a belt, a
necklace, two armlets and two bracelets, all
rendered in dark wood. The navel is also marked
as a circle inside a large diamond. The face is
powerfully carved with drilled pupils, dark eyes,
a triangular nose and a protuberant mouth with
trefoil scarring on either side. The hair is
rendered as a dark-painted widows-peak
arrangement, which is surmounted by a tall hat
with a wide brim. The figure is decidedly plump,
which usually implies wealth and prosperity in
African art. The arms are carved separately from
the rest of the body and are flexed at the elbow.
The Urhobo are one of a number of tribal groups
living in the Niger River Delta area, and make
their living from mixed agriculture and fishing.
They live in small villages which are focused
around huts containing ancestor figures which
watch over the population and “preside” at
meetings of elders. The Urhobo live in tentative
respect of forest spirits known as Edjo, which
surround them at all times and are appeased by
the carving of Edjo sculptures. Smaller figures in
the same general style are usually considered to
represent Edjo’s spouses. The two sculpture
classes can be differentiated by the fact that Edjo
figures carry weapons or magical containers,
while ancestors are usually represented as seated
or Janus figures. The style of rendering is akin to
that of the Igbo, to whom the Urhobo are
culturally related. Other related tribes include
the Oron and the Isoko.
There is considerable stylistic overlap between
the groups and there are also many unique
pieces (such as this one), hence the uncertainty
with the current piece. In balance, however, it is
most likely to be a Edjo figure. It is certainly a
beautifully-rendered and sophisticated piece of
African art.
Bacquart, J. 2000. The Tribal Arts of Africa.
Thames and Hudson, London.
- (PF.0403 (LSO))
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