Dan Brass Sculpture of a Woman - PF.6057 Origin: Liberia/Ivory Coast Circa: 20
th
Century AD Dimensions:8.5" (21.6cm) high Collection: African Medium: Brass
Like the gold weights of the Akan peoples and
the heddle pulleys of the Baule and Senufo
tribes, the bronze figures of the Dan are
considered to be the exceptional case in the
corpus of African art: art objects created for art’s
sake. Void of any religious significance or
ceremonial function, these realistically crafted
sculptures were used by chieftains as purely
decorative objects. The chieftain took pleasure
in them as they are, appreciating the
extraordinary beauty of the objects and the
inherent skills of the craftsmanship.
This sculpture of a mother with a baby clinging
to her back bears the stylistic signatures of Dan
figurative art including the bulbous limbs, planar
feet and hands, and the almond-shaped eyes.
Her head is crowned by an elaborate crested
hairstyle that enhances the sense of her physical
beauty. Her outstanding beauty is also implied
by the decorative bands she wears just above her
knees, reflective of her wealth and rank in
society. The child on her back is a clear symbol
of her fecundity. Her large sagging breasts are
exaggerated in order to enhance further her
fertility. Such a splendid masterpiece of
sculpture needs no ceremonial or religious
purpose to achieve its power. The force of this
artwork is the art itself and the hand of the
sculptor. Originally, this work was coveted as an
object of beauty by chieftains of the Dan tribe.
Today, we appreciate this same striking beauty
much as the chieftain would have almost a
century ago.