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Dan Masks : Wobe Wooden Mask with Raffia Wig and Fur Beard
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Wobe Wooden Mask with Raffia Wig and Fur Beard - PF.3503 (LSO)
Origin: Western Ivory Coast
Circa: 20
th
Century AD
Dimensions:
11.5" (29.2cm) high
x 8" (20.3cm) wide
Collection: African
Medium: Wood and Mixed Media
$6,000.00
Location: United States
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Description |
This striking piece was made by the Wobe (also
known as the We or the Gere-Wobe), who live in
the western Ivory Coast. The face is essentially
concave, with a bulging forehead – separated
from the rest of the face by relief beading – and
a very prognathic mouth with lolling tongue. The
eyes are slits, the nose short and broad and the
whole face framed by large inwardly-curved
horns with upturned points, decorated with
hatched lines. The mask has hair made of
vegetable fibre, along with strands of cordage
that are visible on the masks’ right side. The
apex of the head is further decorated with a
string of cowrie shells, while the lower jaw is clad
in fur to give the impression of a beard.
Patination is dark and even, and condition is
good. This is a remarkable mask.
The Wobe are technically part of the We, along
with the Gere, although for lexical and historical
reasons – and for artistic purposes – they are
associated as a stylistic group. They are
governed by a complex system of confederations
that are aligned with certain occupations;
unsurprisingly, the warrior confederation is the
strongest. Families are recognised units in We
society, with the eldest member being their
representative and organiser of everything from
marriages to internalised social justice. Their
masks have a great deal in common with the war
masks made by their near neighbours, the Bete-
Gere, especially in the proportions of the face
(notably the mouth), the horns, and the addition
of organic matter including raffia and cordage.
Others are reminiscent of the more minimalistic
style of the Dan, which is especially visible in We
statuary and also in some social characteristics
(reverence for the forest, masquerades etc). It is
perhaps significant that this mask is both
evidently an older male, and a symbol of power,
for almost all these tribes relied upon
gerontocracies as sources of social cohesion.
This is a powerful and impressive piece of African
art.
- (PF.3503 (LSO))
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