Beads and royalty are closely linked in Africa. For
centuries, African rulers accumulated valuable
locally made and imported beads. They also
controlled their distribution and use. The
ownership of large quantities of beads, the
variety of exquisite beaded clothing and regalia,
and the right to display colorful beaded designs
distinguish rulers from the rest of the populace.
In Yoruba tradition, strands of beads are the
emblems of the gods and symbolic marks of
distinction. They are used to signify important
political and religious leaders. All the colors
have meaning, and all the symbols have
meaning. This sculpture of a warrior is covered
from head to toe in multicolored beads, generally
red, blue, yellow, and white. The warrior stands
poised, ready for battle with his club raised in
the air. His head is spectacularly crafted: large,
bulging eyes; round, open mouth; and arching,
raised nose. The beadwork appears
simultaneously controlled and haphazard. His
torso and legs seem to be beaded with no
particular pattern; however, his eyes, mouth, and
hand are deliberately ordered. There must exist
a deep symbolism behind these colors. Perhaps
this figure is a warrior god. Perhaps he is a
guardian of the king. Given the importance of
beads in Yoruba culture, this sculpture must be
as important for what it is as whom it may
represents.
- (PF.5711)
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