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Ming Dynasty : Ming Gilt Polychrome Terracotta Sculpture of a Horse
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Ming Gilt Polychrome Terracotta Sculpture of a Horse - H.954
Origin: China
Circa: 1368
AD
to 1644
AD
Dimensions:
10.125" (25.7cm) high
Collection: Chinese
Medium: Painted Terracotta
Additional Information: K
£6,300.00
Location: Great Britain
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Photo Gallery |
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Description |
Upon leading a victorious rebellion against
the
foreign Mongul rulers of the Yuan Dynasty, a
peasant named Zhu Yuanzhang seized
control of
China and founded the Ming Dynasty in
1368. As
emperor, he founded his capital at Nanjing
and
adopted the name Hongwu as his reign title.
Hongwu, literally meaning “vast military,”
reflects
the increased prestige of the army during the
Ming Dynasty. Due to the very realistic threat
still
posed by the Mongols, Hongwu realized that
a
strong military was essential to Chinese
prosperity. Thus, the orthodox Confucian
view
that the military was an inferior class to be
ruled
over by an elite class of scholars was
reconsidered. During the Ming Dynasty,
China
proper was reunited after centuries of foreign
incursion and occupation. Ming troops
controlled
Manchuria, and the Korean Joseon Dynasty
respected the authority of the Ming rulers, at
least nominally.
Like the founders of the Han Dynasty (206
B.C.-
220 A.D.), Hongwu was extremely suspicious
of
the educated courtiers that advised him and,
fearful that they might attempt to overthrow
him,
he successfully consolidated control of all
aspect
of government. The strict authoritarian
control
Hongwu wielded over the affairs of the
country
was due in part to the centralized system of
government he inherited from the Monguls
and
largely kept intact. However, Hongwu
replaced
the Mongul bureaucrats who had ruled the
country for nearly a century with native
Chinese
administrators. He also reinstituted the
Confucian examination system that tested
would-be civic officials on their knowledge of
literature and philosophy. Unlike the Song
Dynasty (960-1279 A.D.), which received
most of
its taxes from mercantile commerce, the
Ming
economy was based primarily on agriculture,
reflecting both the peasant roots of its
founder
as well as the Confucian belief that trade
was
ignoble and parasitic.
Culturally, the greatest innovation of the
Ming
Dynasty was the introduction of the novel.
Developed from the folk tales of traditional
storytellers, these works were transcribed in
the
everyday vernacular language of the people.
Advances in printmaking and the increasing
population of urban dwellers largely
contributed
to the success of these books.
Architecturally,
the most famous monument of the Ming
Dynasty
is surely the complex of temples and palaces
known as the Forbidden City that was
constructed in Beijing after the third ruler of
the
Ming Dynasty, Emperor Yongle, moved the
capital there. Today, the Forbidded Palace
remains one of the hallmarks of traditional
Chinese architecture and is one of the most
popular tourist destinations in the vast
nation.
The importance of the horse in the history
and
culture of China can be viewed, in part,
through
the artistic legacy of this great civilization. In
sculpture, painting, and literature, horses
were
glorified and revered. Furthermore, horses
were
believed to be relatives of the mythological
dragon, reflecting their sacred status within
society. The speed and endurance of horses
enabled China to conquer new lands and
govern
far away provinces under a unified central
government. Horses were and essential
component of the Civic Letters Bureau, a
modern
postal service founded during the Ming
Dynasty,
which contributed to the dissolution of
traditional
smoke signal communications. This horse
bears
the broad, flattened face that is
characteristic of
horse sculptures during the transition from
the
Yuan to the Ming Dynasty. A burgundy
numnah
with tassels covers his back, resting under
the
bright orange saddle. Remnants of green
pigment around the harness and bridal
suggest
that they may once have been painted, while
the
stirrups and bits still retain gilding. Overall,
this
sculpture is a testament to the revered status
of
the horse in Chinese culture, a love affair that
was well over a fifteen hundred years old by
the
time this equestrian effigy was created.
- (H.954)
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