The Chokwe, who inhabit a region covering Angola
and spreading into Zambia and southern Congo,
are among the most creative and original artist in
Africa. They are famous for their female mask and
their sculptures commemorating their legendary
founder Tshibinda Ilunga. Statues of this great
leader abound; however, since the social
organization of the tribe is founded upon
matrilineal lineages, female sculptures are also
equally represented. Generally, these can either be
identified as queen mothers or the wives of chiefs.
This gorgeous statue of such a female figure is a
perfect example of the remarkable artistry of the
Chokwe people. The forms of her body are heavily
influenced by the classic Chokwe posture
epitomized in the representations of Tshibinda
Ilunga. Her arms are bent at right angles and her
hands with fingers spread apart reproduce the taci
gesture, which expresses strength and power and
emphasizes the vitality of the queen mother and
the prosperity of her people. Her body is stocky,
with legs slightly bent, shoulders clearly defined,
and a powerful thick neck. Her elaborate braided
hairdo is a sign of royalty both in respects to the
beauty of the style as well as the time involved
undertaking the laborious process of braiding. Her
facial features, including her almond-shaped eyes
and pointed chin, are also characteristic of the
Chokwe style. The mark on her forehead, similar
in shape to a Maltese Cross, is called
“Cingelyengelye” and is considered a mark of
beauty that enhances both her appearance and
stature. Highlights such as the animal hide skirt
and metal earrings heighten the power and
naturalism of the work. This sculpture
commemorates an important female figure within
the community. Her rank and stature are clear
both from the superior craftsmanship of the piece
as well as the stylistic forms which link her with
Tshinbinda Ilunga the mythical founder of the
tribe.
- (PF.5992)
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