HOME :
African & Tribal Art :
Nok, Katsina, Sokoto : Katsina Seated Figure
|
 |
|
|
Katsina Seated Figure - PF.5779
Origin: Nigeria
Circa: 200
AD
to 900
AD
Dimensions:
31" (78.7cm) high
x 9" (22.9cm) wide
Collection: African
Medium: Terracotta
Additional Information: Thermoluminescence Tested by Daybreak Archaeometric Laboratory
Location: United States
|
|
|
Photo Gallery |
|
Description |
During archaeological expeditions undertaken in
central Nigeria in the 1940’s, the lost Nok
culture was unearthed. Known only through
their magnificent sculptures, little can be
determined about their society and customs.
However, more recently, new finds have been
discovered in the north of Nigeria. These
sculptures, called Sokoto and Katsina after the
towns nearby where they were discovered, reveal
stylistic similarities to Nok works, both in the
composition of the material and of the form.
Clearly, these different cultures were all related
and influenced each other. After all, these works
together are the oldest artifacts found in Africa
outside of Egypt. Much of what constitutes the
Nok style survives today in the sculptures and
masks of contemporary African tribes.
This large memorial sculpture is typical of the
Katsina style. Although the figure's small limbs
are fragmented, we can ascertain their original
posture from other examples. Seated figures
most often rest their hands on their shallow,
bent knees. Generally, the limbs were not
emphasized, instead the artist focused primarily
on the head and then on the torso. The small,
beady eyes with their sagging, overhanging
eyelids are characteristic of the Katsina style, as
are the spherical coiffure and the lack of jewelry
or other adornments. Thermoluminescence tests
conducted by the Daybreak Archaeometric
Laboratory validate the approximate dating of
the firing of the clay. This remarkable sculpture
speaks more than we can comprehend. While we
can appreciate its aesthetic beauty and treasure
its age, we will likely never know the history or
practices of the culture that shaped it. However,
this statue survives, a reminder of the vast
richness and beauty of our common cultural
heritage.
- (PF.5779)
|
|
|