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African & Tribal Art :
Nok, Katsina, Sokoto : Nok Terracotta Head of a Woman
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Nok Terracotta Head of a Woman - PF.5865
Origin: Northern Nigeria
Circa: 500
BC
to 200
AD
Dimensions:
9" (22.9cm) high
x 4.25" (10.8cm) wide
Collection: African
Style: Nok
Medium: Terracotta
$7,500.00
Location: United States
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Photo Gallery |
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Description |
Some of the earliest examples of sophisticated
sculpture in sub-Saharan Africa come from the
Nok culture. We do not know what the people
called themselves, so the culture was named
after the town of Nok where the first object was
found. The fired clay or terracotta sculptures
range in size from small pendant to life-size
figures. Nok is an Iron Age culture that has been
dated between 900 B.C. and 200 A.D.
Archaeological artifacts have been found in
Nigeria, primarily to the north of the Niger-
Benue River confluence and below the Jos
escarpment. According to some accounts, based
on artistic similarities between early Yoruba art
forms and Nok forms, there may be connections
between Nok culture and contemporary Yoruba
peoples. What is clear is that certain stylistic
tendencies prevalent in black African art today
may have originated in the sculptures of the Nok.
This fragment of a head is a perfect example of
the Nok type, from the material itself to the
carving of the forms. The distinctive orange clay,
rich with mineral deposits that appear as white
spots, is characteristic of Nok art. Other facial
features, including the large almond-shaped
eyes, the drilled holes representing the pupils
(now partially filled by sediment), and the
elaborate coiffure are all trademarks of the Nok
style. This woman wears an ornate coiffure with
two projecting mounds on the top of her head
that probably symbolized her high-ranking
status. Intricate indentations delineate the
individual locks as they fall along the back of her
head and cover her ears. There is a reserved,
composed air about her expression that is
befitting of royalty. She appears stern and yet
elegant, controlled but naturally beautiful. Her
hypnotic gaze asserts her strength and
confidence. Surely she must have been an
extremely important individual in order to be
memorialized in such a stunning sculpture, most
likely she is a princess or a young mother queen.
- (PF.5865)
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