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African Stools : Asante Stool with Metal Tacks
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Asante Stool with Metal Tacks - PF.5940 (LSO)
Origin: Ghana
Circa: 20
th
Century AD
Dimensions:
9" (22.9cm) high
x 14.375" (36.5cm) wide
Collection: African
Medium: Wood and Tacks
$1,800.00
Location: United States
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Photo Gallery |
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Description |
This beautifully geometric stool was made by the
Asante, one of the numerous tribes that make up
the Akan polity of Ghana. It is a very ornate
example, formed as a hollow rectangle with a
central support, all holding up a flat platform
seat with upwardly-flaring sides. The base is
arranged as a multi-section pedestal, while the
sides of the piece are decorated with incised
decoration and irregular ribbing on the lateral
aspects. The seat is further decorated with metal
studs in a generally cruciform design in the
centre of the seat, flaring out towards the sides.
The wood is patinated with age and use. Stools
such as this were used to assert status in many
African tribal groups; only elites, and especially
chiefs, were allowed to use them. Very often they
were not sat upon, but were just displayed as
regalia. This explains the often spindly and
somewhat insubstantial construction of earlier
examples.
The Akan are a loose assemblage of tribes –
including the Akuapem, the Akyem, the Ashanti,
the Baoulé, the Anyi, the Brong, the Fante and
the Nzema – that share general cultural trends
while maintaining separate tribal identities. Their
society is highly ritualised, with numerous gods
under a main deity who varies according to the
group in question (Onyame – the Supreme One –
is the Asante deity), and a host of lesser gods
(Abosom) who are mostly connected with the
natural world (earth, ocean, rivers, animals etc).
The society is ruled by Asantahenes, and a host
of minor chiefs who claim royal status through
their connection with the land and the founders
of villages upon it. One factor that unites the
Akan is the fact that they took a golden stool as
their emblem and rose up against the European
invaders in the 18th century. They have also
staved off interest from Northern Islamic groups.
The main reason for this imperial interest was
the long history of gold mining and gold working
in the area, which has been taking place for at
least 600 years.
This stool would have been treated with the
same reverence that a throne might attract in
western European groups, as it was literally that
important. From an aesthetic point of view, it is a
striking and attractive piece of secular art, and a
worthy addition to any collection or sophisticated
domestic setting.
- (PF.5940 (LSO))
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