An exquisitely sculpted grey basalt torso
of
a Buddha standing
frontally. His hands, although missing, are
highly probably to form the abhaya and
varada mudra respectively. The outer
robe,
known as the sanghati, covers both
shoulders and descends in delicate folds.
The monumental scale of the statue
allowed
the sculptor to carve the drapery and
scarves in fine detail. This sculpture is
coherent with the typical
Tang style of richness and substantial
physical presence. In Tang aesthetics,
being
chubby is an auspicious sign since it
symbolises prosperity and material
abundance. Applying this style to Buddhist
sculptures reflect the innumerable good
merit the deities have attained. An
extraordinarily fine masterpiece, the
sculpture is finely and naturally carved,
with
remarkable attention to details especially
for the clothing. The marble has a
seasoned
yet smooth surface and an affirming
presence due to its mass.
- (HK.2006)
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