From the ancient depths of the culturally rich
country of Costa Rica, we have before us a fine
example of the artistry that flourished during the
latter developments of Period IV. Terracotta is
not a simple medium to handle. To achieve the
desired effects of this powerful, robust male
figure, the artist has acquired a very special skill
in manipulating the medium that was most
available to him. Through trial and error and
numerous years of practice, this artist has
created a spectacular work of art. The
composition as a whole flows together from
head to toe. Many clues have been left for us to
decipher, as well. Has his body paint been
carefully applied for ritual rites for a particular
event? Or did he wear body paint every day?
Notice the triangle that surrounds his navel and
the different symbols adorning his upper legs
and upper arms. These are truly magnificent
symbols that we have yet to decipher. Clasped in
one of his arms is a drinking vessel. This vessel
may symbolize that a magical potion was taken
in order for the shaman to transform into his
animal form or alter ego, the crocodile.
Through transformation, the shaman was able to
communicate with the underworld and the upper
world, foretell the future or gain warrior-like
qualities for the society to ward off any
intruders. The elaborate crocodile mask must
have created a dramatic spectacle for the
participating audience. Shamans were both
admired and feared and this sculpture may
trigger those emotions or any number of
emotions and thoughts. As our imagination runs
wild, we may tremble with a new desire to obtain
part of this magical ancient history and culture.
A need may surface to acquire this ancient
artifact without an understanding as to why. Is it
for the rarity, the mystery or simply the necessity
of collecting fine art?
- (PF.4040)
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